Jayhawk Book Club

Catch Me If You Can meets The Great Gatsby meets the hit Netflix series Lupin in this captivating Jazz Age true-crime caper about "the greatest jewel thief who ever lived" (Life Magazine), Arthur Barry, who charmed celebrities and millionaires—everyone from Rockefellers to members of the royal family—while simultaneously planning and executing the most audacious and lucrative heists of the 1920s.

A timeless comedy of manners—refreshing as a summer breeze and bracing as the British seaside—about a generation of young women facing the seismic changes brought on by war and dreaming of the boundless possibilities of their future, from the bestselling author of “Major Pettigrew’s Last Stand”.

It is the summer of 1919 and Constance Haverhill is without prospects. Now that all the men have returned from the front, she has been asked to give up her cottage and her job at the estate she helped run during the war. While she looks for a position as a bookkeeper or—horror—a governess, she’s sent as a lady’s companion to an old family friend who is convalescing at a seaside hotel. Despite having only weeks to find a permanent home, Constance is swept up in the social whirl of Hazelbourne-on-Sea after she rescues the local baronet’s daughter, Poppy Wirrall, from a social faux pas.

Whip-smart and utterly transportive, “The Hazelbourne Ladies Motorcycle and Flying Club” is historical fiction of the highest order: an unforgettable coming-of-age story, a tender romance, and a portrait of a nation on the brink of change.

Get your copy of the book from the KU Bookstore! KU Alumni members, don’t forget to use your membership discount.

Make a wish. . . .

Lucy Hart knows better than anyone what it’s like to grow up without parents who loved her. In a childhood marked by neglect and loneliness, Lucy found her solace in books, namely the Clock Island series by Jack Masterson. Now a twenty-six-year-old teacher’s aide, she is able to share her love of reading with bright, young students, especially seven-year-old Christopher Lamb, who was left orphaned after the tragic death of his parents. Lucy would give anything to adopt Christopher, but even the idea of becoming a family seems like an impossible dream without proper funds and stability.

But be careful what you wish for. . . .

Just when Lucy is about to give up, Jack Masterson announces he’s finally written a new book. Even better, he’s holding a contest at his home on the real Clock Island, and Lucy is one of the four lucky contestants chosen to compete to win the one and only copy.

For Lucy, the chance of winning the most sought-after book in the world means everything to her and Christopher. But first she must contend with ruthless book collectors, wily opponents, and the distractingly handsome (and grumpy) Hugo Reese, the illustrator of the Clock Island books. Meanwhile, Jack “the Mastermind” Masterson is plotting the ultimate twist ending that could change all their lives forever.

. . . You might just get it.

It’s the height of the winter social season, the General Assembly is in session, and many of Virginia’s gentleman planters, along with their wives and children, have made the long and arduous journey to the capital in hopes of whiling away the darkest days of the year. At the city’s only theater, the Charleston-based Placide & Green Company puts on two plays a night to meet the demand of a populace that’s done looking for enlightenment at the front of a church.

When the theater goes up in flames in the middle of the performance, Sally, Cecily, Jack, and Gilbert make a series of split-second decisions that will not only affect their own lives but those of countless others. And in the days following the fire, as news of the disaster spreads across the United States, the paths of these four people will become forever intertwined.

Based on the true story of Richmond’s theater fire, “The House Is on Fire” is a “stunning” (Jeannette Walls, New York Times bestselling author of The Glass Castle), “all-consuming exploration” (E! News) that offers proof that sometimes, in the midst of great tragedy, we are offered our most precious–and fleeting–chances at redemption.

Florida is slipping away. As devastating weather patterns and rising sea levels gradually wreak havoc on the state’s infrastructure, a powerful hurricane approaches a small town on the southeastern coast. Kirby Lowe, an electrical line worker; his pregnant wife, Frida; and their two sons, Flip and Lucas, prepare for the worst. When the boys go missing just before the hurricane hits, Kirby heads out into the high winds to search for them. Left alone, Frida goes into premature labor and gives birth to an unusual child, Wanda, whom she names after the catastrophic storm that ushers her into a society closer to collapse than ever before.

As Florida continues to unravel, Wanda grows. Moving from childhood to adulthood, adapting not only to the changing landscape, but also to the people who stayed behind in a place abandoned by civilization, Wanda loses family, gains community, and ultimately, seeks adventure, love, and purpose in a place remade by nature.

Can you stop a murder after it’s already happened?

Late October. After midnight. You’re waiting up for your seventeen-year-old son. He’s late. As you watch from the window, he emerges, and you realize he isn’t alone: he’s walking toward a man, and he’s armed.

You can’t believe it when you see him do it: your funny, happy teenage son, he kills a stranger, right there on the street outside your house. You don’t know who. You don’t know why. You only know your son is now in custody. His future shattered.

That night you fall asleep in despair. All is lost. Until you wake . . .

. . . and it is yesterday.

And then you wake again . . .

. . . and it is the day before yesterday.

Every morning you wake up a day earlier, another day before the murder. With another chance to stop it. Somewhere in the past lies an answer. The trigger for this crime—and you don’t have a choice but to find it . . .